RoboCop

I’m not a robot nor secret agent
manufactured and trained in a factory
of compartmentalized parts: none and feeling

as this will interfere with my true joy
when and if I do experience the purpose
of this fleeting exercise of being happy

there won’t be any need for giggles
as a solid laugh will be more evident
of nothing and everything…

Yes Mommy Dearest

One of my pet-peeves is seeing people standing around doing nothing.

Then spin

a wheel of string
rope to play hangman with
buy time making
cardboard sleeves

just in case

drench a spineless shirt wet
without purpose
groove a grave in.

Hot coffee burns
lukewarm finger tips
nervously preparing
another lie–

There’s always something to be

Re
Dun
Dun
Dun
Dant:

paper
napkins
styrofoam
cups
plastic
spoons
sporks
forks
knives
Go Here!!

Swab slabs for red tape feelers
appearing in the dark
early morning’s stock rooms

after-hour cheap cockroaches
re-stock stocked shelves
a different kind of vermin
catches clockwise
the wheel churning
dynamic stale Splenda

an apron in slow motion
a smorgasbord of the top ten
most talented
next showcase:

Insecure Specials
End
less
List
less
events in Crayola:

Italian Panini
amused eyeballs
Cuban Sub
electricity
Cajun Chicken
clapping to attention
Tuna

Big smiles at the door
clean floor needing a good scrub.

A First Stroke of Passenger Peru

Uncommon to commonplace trends, Passenger Peru‘s self titled album subtly dismantles the norm, and engages with teases, licking  a familiarity only when necessary. You are a passenger on their quest. For sound that will rearrange thought processes for listening to and discovering devotion and discipline, I learned so much from this record.

I remember the night I first was introduced to these guys. They were Pet Ghost Project then, and I was so enthralled by their attempt to create something exceptionally special, that I bought all of their cds. The delicate attention to detail that I was waiting for back when they were Pet Ghost Project is now fully expressed in this new direction, where it’s just the two core members of Pet Ghost Project: Justin Stivers, and Justin Gonzalez.

With just Justin Stivers on bass, and Justin Gonzalez on guitar, they eliminated the need for a live drummer/percussionist with great success. You’ll understand what I mean, if you ever go to one of their shows.

Anyway, I’ll be playing Passenger Peru to its entirety on the next Broad Strokes hour with Calypso Sally, Wednesday, August 29 at 8:00pm on Washington Heights Free Radio (WHFR). The band will be present to answer any questions I, or you may have.

Teeth: fEnCeS ArE FoR cOwArDs

Photo by Tiffany Paul

your fence makes my bark ah howl louder
makes this caged world that you made me tamed
to believe in, salivating my bloody teeth youth
your mocking bird’s laughter makes my hind legs
stand, and eat you even when you command

don’t bite the hand that feeds you.

Cotton Candy

Catch me when
I’m not an awkward butterfly
lighting almost on the exhausted hibiscus
a weary comfort for a glimpse
an imprint on the fading sun

Catch me when
I’m not a bitter blue caged parrot
calling out for jack daniels like my owner
not owning a thing but a feathery bird

Catch me when my cliche is filled
jelly rolled happy joy, sunshine sprinkles
too consumed with sugary goodness of opposites.

Do parallels meet in the infinite demise of one?
Do we call them an equilibrium?
a  jelly roll, then a shot of jack?

How I Became a Sucker

No one spoke to me in the dark
as I blindly walked alone
feeling for the comfort of fine

where all the anti-depressants
presses an invention of self
that everyone doubts

a fake smile slowly appeases
your eternal want of being pleased
when the magnitude of instability
reigns in my joker doubt

A Young Composer Dares Us To Listen.

With its complex guitar melodies, and thunderous drumming, Magnetic Island’s self-titled album has revolutionized the Riot Grrl sound of the 90s and taken it to higher heights. Because of the Riot Grrl movement we have such great women fronted bands like Magnetic Island, who thereupon help propel the genre further by fusing punk, experimental rock, etc. taking us deeper than simple chords and or fills.

Magnetic Island, under the direction of one of indie rocks best female guitarist, Lisa Liu shows her aptitude to not only play the guitar extremely well, but also demonstrates qualities of a brilliant composer.  This brilliance is manifested in part by the fact that Liu, a new comer to the drums, played all of the percussion parts for the album, in addition to guitar, vocals, bass and Rhodespiano.

The time is now, blaze the drums, but not in an overbearing manner, Liu’s drumming is clear and precise and works with each song, complimenting every accent of the guitar and vocals. A sense of equilibrium reigns throughout the album as each instrument is well arranged to benefit the overall sound. The songs are driven by the guitar and drums, with bandmate SMV’s vocals and undercurrent melodies on the keyboard. Nothing is accidental or by chance, and every layering of sound has a purpose, and successfully fulfills its positioning, making Magnetic Island one of the most well composed albums that will surely be a contender for best of 2012.

DOILY

I race to you like I know your fire
chasing call like lightening’s line storm

thunder’s reckoning response, trepidation
waiting in the middle like a doily for your soil

.

Dirt

not flowers with their imagined hearts
not tending to exploding boobs on a brutish hand
not fabricating in my favorite telenovela
all made-up like an ironic trophy wife
does nothing but make me
miss all the sex…

I want you in the morning
while you’re all dirty
before you claim your discovery
covering your stems, trampling your pieces
filling them with the sum of this sickle tree.

I want you in the morning
while you’re all dirty
so I can feel by some miracle
I can feel like I can touch you

before we’re both filled with this fruitless mirage
this purposeful pursuit for the world’s perfection
where everything seen is judged whole.

Rejection Letter #1

I received it in the mail today
my very thin self-addressed envelope
not today I said out loud, not today
for you see, I’ve already felt the day to day
crippling blow, as I made my trek through
the drudges, through the thick mundane
automatic motions.  I have failed as a robot.
Regardless, I thought and grinned for chance
there’s still the possibility…  Aah yes the optimist
with her tireless audacity, with her juvenile beliefs
full of maybes, could be dreams floating like clouds
waiting to be caught, oblivious to the message in the
note starkly staring back: thank you, but no thanks.

NIGGER U*S*A

Can’t take dat sting away
de sting from nigger
ah poor ass nigger
cause nigger is poor
and poor is ah nigger.

Embrace nigger
with all de ills of livin-ah
nigger life
liquor cures all curse den
hunger of havin nothin
but de smell of stale
piss and shit.

Hunger of havin nothin
but ah bitch for the dogs
tight leopard spots
running ruin to her hips
yellin everyday–“But ain’t he
ah black ass nigger
ah dirt poor nigger.”

Hunger of havin nothin
but ah mammy swearin
“In Jesus name I’ll kill dis nigger.”
A bastard only screams
what his mama been taught
“You fuckin Nigger.”

Can’t take dat smell away
neda-nev-ah
of skin burnin
of flesh on fire
ah bloodthirsty explosion.

Can’t embrace nigger
without de ills of being
the only Negro in Holland Michigan
even if the University invited you
the white faculty–with their cherry smiles–
says, “It’s because we needed a show and dance nigger.”

Even if your walls are covered with awards
fooled into what you can afford
to sit in Holland’s Gourmet café
two white construction workers
can still say, “Niggers are everywhere now.”

Can’t embrace nigger
without embracing Negro Joe
who dreams of jumping higher
running faster-climbing-swimming
bursting out his exile of skin.
With something to lose
never quite sure of what:
his legacy of having
dirt poor nigger skin?
his potential to all his possibilities
for true love?
Sticking his big black dick into
some white chick–any white chick?

Welcome to Nigger U*S*A
the forever new cerebral
recurring phenomenon
forever framed into
black and white motions
de sting still lives
cause nigger is dirt poor
and poor is ah nigger.

Mother

“Yet so many of the stories that I write, that we all write, are my mother’s stories. Only recently did I fully realize this: that through years of listening to my mother’s stories of her life, I have absorbed not only the stories themselves, but something of the manner in which she spoke, something of the urgency that involves the knowledge that her stories- like her life- must be recorded.”   Alice Walker, In Search of Our Mothers’ Gardens.

After reading this essay, In Search of Our Mothers’ Gardens, I thought of my own mother obviously, and her stories she told me and my siblings. I remember how much it irritated me, since it was the same stories I’ve heard from the womb. But now, as I reflect on the stories that I’ve written, I’m reminded of those times she’d sit with us, and tell us about her life, like we were her recorder, documenting those times that were missed. I can’t help but see my mother staring back at me from my pages.

All my life, I’ve tried not to be like her, my mother. I’ve avoided experiences I believed would lead to one of her tragic endings. How sadly ironic, that the stories I was trying to forget are the stories that I’ve been unconsciously writing, that I can’t ignore because they make up who I am.

Walker also spoke about the lengths her mother took to transform their, shabby, home into something special, unique and warm, and how this act was her mother’s way of expressing herself. It was a manifestation of her mother’s love: planting an ambitious garden. It was, also, a reflection of her mother’s artistic abilities. This has opened my eyes to my own mother’s ambitious gardening.

When I was a kid, I never considered what my mother did in our home as a manifestation of her artistic abilities, mainly because it wasn’t something people celebrated, valued or respected. It was taken for granted, and considered something that women are expected to do. There wasn’t anything special about keeping a home, and raising five children.  Now, as I’m older, I regret that I never recognized and appreciated my mother’s ambitious gardening.

She knew how to make, and keep things beautiful, my mother. Even when she didn’t have the correct tools, she invented her own tools, and her own style which made everything even more special. She had the eye.

I miss her so much. And words can’t bring her back.  Nothing can imagine her back, or how much I miss her, my mother (My Imaginary Margin).  Especially since she can no longer share in my revelations.  Selfish, yes. Even now, when she’s dead.

I can’t remember exactly when I stopped celebrating Christmas, especially since it was such a huge deal for my mother. She’d go the extra mile, staying up all hours of the night on Christmas Eve, redecorating with new curtains and bed sheets.  The smell of freshly painted steps, and polished furniture swelled throughout the house, giving an exciting sense of newness, of home.

And of course the food, the food that was made with my mother’s hands, seasoned with all her love: baked fish, chicken, and stewed pork, macaroni pie, ham, callaloo and beans, and avocado salad; gingerbread, sweet bread, fruit cake, carrot cake, punch de creme (a Caribbean punch made of cream) and sorrel (a Caribbean drink made from the buds of the sorrel plant that grows in the Caribbean) that is boiled with ginger, and then sweetened with sugar, or if you like wine or rum.  Hmm, yum. The cooking was insane.  As a child, the kitchen was a garden of wondrous smells and deliciousness.

Mother is my substance, whose love I suckle upon
absent of thought to what she is.
Mother is my substance, whose skin is young as mine
even as waters sweeping along oceans and rivers
glowing brownish illuminations as the sun.
Mother is my substance whose personality
I mistakenly guise as funny, and foreign to mine

I’ve noticed in fact, the tendencies to hold my head like mother
my rear end suddenly resembles the roundness of her bountiful rump
and I’ve recently discovered a colony of moles on my neck like mother’s.
My laugh has changed as well into her scandalous octaves
which made you join in with joyous glee
I am reminded everyday of her presence and her legacy.
My mother, my substance, my ambivalent substance.

Clairvoyance

shutterdrag-7310
Image by kiwinky via Flickr

As you turn away skipping
away with my sensibilities

my potential, I’m left with nothing
but a long for a time when I didn’t desire

to feel a breath as much as yours
your laughter haunting the corridors  

the ghost mirrors the absence, I ware it like naked jewelry
naked jewelry of bones on display of my limbed soul.

I needed that what I gave to you
I struggle without it, my diadem

you accepted without knowing
how precious a self is to give away

not keeping something for me…
You didn’t want me anyway…

Vestige

Organ adapted for use in Häggström diagrams
Image via Wikipedia

And now, shoulders crouch
as if to say my rib cage was useless
as my heart no long lives there.
It is theirs, theirs to marvel as it skips
to beat faster as they appear through 
mirrors. I am still living as if it were present
but if you look inside my skeleton you’d see
you’d see that I’m now cold and crude
broken, broken without my heart
oh Lord I miss you, I miss you, oh Lord.

DoubleSpeak

Dust storm in NSW
Image by DabaYu via Flickr

In the mist of mistakes lies trimuph.
When optimism is all I have left to risk
giving way to hopes of a juniper night:
Holding you again. Wanting something
I can’t have whole. I struggle in pieces…

I started drinking my desires away around 4:00 p.m.
It didn’t help the crying, as my shoulders, drunken 
they weigh the hours and the minutes of this drought
silently anticipates seeing your golden eyes again
expectation wants nothing more than your kisses now.

Vulnerable to prays when I might be an atheist.
Prays for things out of my control, I meditate a howl
that is so quiet, but roars your name. Underneath bellows
relinquishing all the burdens of my travel through the fire.

Broad Strokes to Warm Up Your Holiday Spirit

As we near the close of twenty ten, there is a lot to reflect upon and be thankful for. Twenty ten was not an easy year for me, at the very beginning I felt troubled and lost, displaced would be the best word to describe my state of being. All it took was one phone call to change my gloomy direction. No, I didn’t discover Jesus, nor was it love or a new type of elixir…

I got a call from Magnetic Island (MI), saying that they wanted me to collaborate with them on a music project. I’ve always held MI in the highest of esteem as musicians, so much so I felt a tinge of intimidation after I had agreed to work with them.

They are great musicians, they passionately live and breathe music. I know that for a fact, because I witnessed this passion the morning that we were set to record Subterfuge, the MI single that I sang, played the drum-kit, and also played my steelpan on.

I had spent the night over at MI’s place, and the first thing they did the next morning, after breakfast, was grab their instruments: Lisa was on her guitar running through scales, and Sue was on her keyboards with headphones on. They taught me so much, or better yet they gave me so much hope…

Twenty ten brought me closer to my friends, family and also made me realize how important it is to have a really awesome boss: one who is generous and thoughtful, very rare and special.

At the curtail of this year, I was reconnected to how spiritual I am, thanks to a special lady, who probably doesn’t know how much of an impression she made. I’m so touched to have met her.  

These are all the things I’m thankful for this Christmas: friends, family, new beginnings… On and upwards!

I’d like to dedicate my last radio show for the year to all the peeps that made twenty ten a year full of laughter, growth and endless possibilities.  So prepare yourselves for a winter experience full of surprises on the next Broad Strokes broadcast!

During the intermezzo, you can listen to my show from last month HERE! showcasing most of the bands that played the Washington Heights Free Radio (WHFR) fundraiser/my bday party.

Playlist
The Shore by Magnetic Island formerly known as Renminbi
No One Cares by Object
Dr. Who by Telenovela Star
Clumsy by Coyote Eyes
Siren by Magnetic Island
End in Bender by Magnetic Island
Genius by Telenovela Star
Summer Phase by Magnetic Island
Yellow Red by Coyote Eyes
Fight Song by Magnetic Island
Subterfuge by Magnetic Island
Blue Chameleon by Object
BLMHYL by Telenovela Star
Just For You by Object

Bringing you stories, live events, and much more, WHFR tries and remains independent of any corporate sponsorship.  So, if you like what WHFR is doing, you can donate by contacting us at info@whfr.org.  DIY forever baby!

Also, if you’re in a band or know someone who is, and would like to be on the show, please email me at roarplanet@gmail.com.

Green

Well she’s walking through a crowded dream with a smile just made for me
if I were to describe her now it would take away from the wonderful
that is her laughter, lingering long after it has left the room
if I were to describe a moonstruck, I’d have to dive deep into her eyes
and pray for the courage to swim as fast as the climate of her pupils

one day to want more than wanting you
one day of knowing beyond the surface
that’s how she just, just how she appears to me…

Inside my Terrane

You couldn’t possibly know how much you mean to me
you couldn’t possibly know, even as I try to tell you
limited by the expression of a syntax, I’m left with a lisp
trying to pronounce joy.  I’m only a jester with failing hands
a useless mime, forever maimed by the unforgiving allusion 
the imagination of life without you.

You Look Good… As You Suffer

I wonder at the many compliments I’ve received because I’ve lost weight. This morning, the receptionist at my dentist’s office wanted to know what diet I was on. Oh, if she only knew it wasn’t an intent, but suffering.

If only I could patent suffering, mine, my longing as a diet plan, I would be a very wealthy, unhealthy person. For all to admire at how much I’ve lost in such a significantly accelerated motion.  You’d know the day it began. If you we were paying attention.

I marvel at my own response to the sudden regard. I feel like at least something “good” came out of suffering, even if I was to be turned inside out, and any person, reasonable or not, would be repulsed by what I looked like on the inside: a soul that no longer soars, but who’s wings have been clipped; a mind that is stroked with obsessive thoughts of yesterday’s singular mistake; a diseased liver; blacken suffocated lungs; and a broken heart that can’t even catch every other beat.

Oh yes, I’m very happy to be thin!