That notebook holds my heart in its stem
That notebook holds love in its leaves
flicking a new chance on a page, I watch
every time, I watched her naked body
through the curtains of each misspellings
as I try to replicate her touch, her, her gaze
erase the words that doesn’t see the depths of her
a notebook heart, and I want to divulge
through my bloody blue ink everything
this leaf gives me, and I want to draw her
laughter so you too can be made exuberant
by her foliage, her dance of unknown syllables
that colors my dreams every night, and brings me
closer to possessing the fleeting secret of joyousness


Precious are days standing up straight like the stems from lilies
grooming, only to be asked to die unbroken by precarious ghosts.

Precious is anything that’s been a prism for the corners of escape
scapegoat pockets of leaking light, a hallway of nothingness, vanishing.

Precious is the sound of  await, longing a million years of drunkard youth
spoken through a crystal ball of “us” as a misnomer and the law caging “you.”

Precious is receiving letters and reading them in the stricken enlighten covers
of a slang, then it would be word of how it matters, while it can’t describe want.

A First Listen of Let Fall the Sparrow’s self titled EP

The gorgeous vocals, the bass with a voice of its own, the lonesome guitar that is perfect for winter, and the precise drumming makes you want to listen to Let Fall the Sparrow on repeat. I know I did. This post-punk trio elevates what it means to play an instrument, and also what it means to be a songbird.

The well balanced experimental structure of Let Fall the Sparrow‘s self titled EP makes you think differently about music today. If you ever stop playing the track, For Those Things That Are Past, you will feel exposed to a grandiose conviction that musicianship can mingle with raw passion. You wonder if is it now you will experience what it truly means to delve in the mist of composition… Composition that is unlike many of the bands today. Let Fall the Sparrow is clearly not beggars wanting to be listened to and validated, they’re about the negotiation of sound and how even in its chaotic sense can formulate a pattern, if one just listened carefully.

Broad Strokes with Calypso Sally on Washington Heights Free Radio (WHFR) will bring you a first listen segment of the band Let Fall the Sparrow‘s self titled debut. We will also have a chance to talk to the band’s bassist, Lilly Pritchard, live from San Francisco. So tune in next Wednesday, November 16 at 8:00pm.

Also, if you missed last month’s broadcast when Teletextile brought the house down to silence, completely (first time for everything), you’re still in luck, since you can listen to the broadcast HERE.

Bringing you stories, live events, and much more, WHFR tries and remains independent of any corporate sponsorship.  So, if you like what WHFR is doing, you can donate by contacting us at info@whfr.org.  DIY forever baby! Broad Strokes’s Schedule:

If you’re in a band or you know a band and or singer/song writer that would like to do a show, contact me at: roarplanet@gmail.com.