Mother

“Yet so many of the stories that I write, that we all write, are my mother’s stories. Only recently did I fully realize this: that through years of listening to my mother’s stories of her life, I have absorbed not only the stories themselves, but something of the manner in which she spoke, something of the urgency that involves the knowledge that her stories- like her life- must be recorded.”   Alice Walker, In Search of Our Mothers’ Gardens.

After reading this essay, In Search of Our Mothers’ Gardens, I thought of my own mother obviously, and her stories she told me and my siblings. I remember how much it irritated me, since it was the same stories I’ve heard from the womb. But now, as I reflect on the stories that I’ve written, I’m reminded of those times she’d sit with us, and tell us about her life, like we were her recorder, documenting those times that were missed. I can’t help but see my mother staring back at me from my pages.

All my life, I’ve tried not to be like her, my mother. I’ve avoided experiences I believed would lead to one of her tragic endings. How sadly ironic, that the stories I was trying to forget are the stories that I’ve been unconsciously writing, that I can’t ignore because they make up who I am.

Walker also spoke about the lengths her mother took to transform their, shabby, home into something special, unique and warm, and how this act was her mother’s way of expressing herself. It was a manifestation of her mother’s love: planting an ambitious garden. It was, also, a reflection of her mother’s artistic abilities. This has opened my eyes to my own mother’s ambitious gardening.

When I was a kid, I never considered what my mother did in our home as a manifestation of her artistic abilities, mainly because it wasn’t something people celebrated, valued or respected. It was taken for granted, and considered something that women are expected to do. There wasn’t anything special about keeping a home, and raising five children.  Now, as I’m older, I regret that I never recognized and appreciated my mother’s ambitious gardening.

She knew how to make, and keep things beautiful, my mother. Even when she didn’t have the correct tools, she invented her own tools, and her own style which made everything even more special. She had the eye.

I miss her so much. And words can’t bring her back.  Nothing can imagine her back, or how much I miss her, my mother (My Imaginary Margin).  Especially since she can no longer share in my revelations.  Selfish, yes. Even now, when she’s dead.

I can’t remember exactly when I stopped celebrating Christmas, especially since it was such a huge deal for my mother. She’d go the extra mile, staying up all hours of the night on Christmas Eve, redecorating with new curtains and bed sheets.  The smell of freshly painted steps, and polished furniture swelled throughout the house, giving an exciting sense of newness, of home.

And of course the food, the food that was made with my mother’s hands, seasoned with all her love: baked fish, chicken, and stewed pork, macaroni pie, ham, callaloo and beans, and avocado salad; gingerbread, sweet bread, fruit cake, carrot cake, punch de creme (a Caribbean punch made of cream) and sorrel (a Caribbean drink made from the buds of the sorrel plant that grows in the Caribbean) that is boiled with ginger, and then sweetened with sugar, or if you like wine or rum.  Hmm, yum. The cooking was insane.  As a child, the kitchen was a garden of wondrous smells and deliciousness.

Mother is my substance, whose love I suckle upon
absent of thought to what she is.
Mother is my substance, whose skin is young as mine
even as waters sweeping along oceans and rivers
glowing brownish illuminations as the sun.
Mother is my substance whose personality
I mistakenly guise as funny, and foreign to mine

I’ve noticed in fact, the tendencies to hold my head like mother
my rear end suddenly resembles the roundness of her bountiful rump
and I’ve recently discovered a colony of moles on my neck like mother’s.
My laugh has changed as well into her scandalous octaves
which made you join in with joyous glee
I am reminded everyday of her presence and her legacy.
My mother, my substance, my ambivalent substance.

RIP

Dedicated to Bernadette E. McLeod 1947 – 2005

It began that way, didn’t it?
Telling lies, make believe
because I’m the writer
I’ll complicate how
when the what I feel
mouths up hate
salivating off my lips.
I should really drown those words
drown myself in liquor every night
a resolve I blamed on my mother anyway
when she was crying out
crying out all her life
when there was no one to listen
no mirror to edge up close
blow her breath into
her own air fogging a cloud
hear her own name
bounce back in a song B
Bernadette
smell her own liquored breath against her face
feel her own danger against her skin
nothing could sing
no Sunday morning could song back her hymns.

It began that way, didn’t it?
Always in a place where only the strong will survive
the fate she unknowingly prayed against
living in spite of Reason’s you should die
nothing to pray for now
nothing to explain
nothing to succumb to
she has nothing to fear
she stops now, the doctors’ last minute ambition
can’t do for her now
like I did her, a second thought
the last breath to revive, bringing her back
to give her all I wanted to say, while her pressure drops
as the infection spreads to her mind filled with everything precious
pictures I desperately fight to hold onto
the sound of her voice on a phone greeting.

It began that way, didn’t it?
In the company of familiar strangers
she coughs up blood in a hospital alone
in the company of familiar strangers
she crows out my name
because I can’t remember the last time we spoke
I want to hear her now
I want to know what she thought
she’ll call tomorrow and leave me messages
say she has a smile on her face
with one eye open
say she’s peaceful
waiting to see that one person
to close her look at the world.
But it wasn’t her lying there
in an expensive coffin, dressed
in favorite colors with a crown on
I wanted to see her feet
with bunions, callus nail polish
I wanted to see my inheritance
walking for a long time
looking for that window
but I was too afraid to know
opening the other end.
It was my turn to say goodbye
when I had already dreamt this day
when the air was so thick
I couldn’t breathe
her eyes darker than the usual brown
so shiny I saw my reflection.

Accordion

Taken by Cocoyea

wanted to give you the greatest
the greatest melody for others to wonder
but I only have what I know, some sketches
of the skylines setting in the evening’s
polluted glow. Some unfinished thoughts in
my empty hole ridden pockets.
I wanted to love you like no other
so much so, nothing could stop me
I wanted to… I wanted too much.

Daffodils are Lilies

She said it was a bad connection as she summons
the executioner to sever my heart and banish me
my presence erased for always, thrown aside with the rest
while I still search for the correct signal of what she seeks.

From room to room, I roamed and performed
played with different identities I possessed
but none of my faces she could recognize, nor
did she have the patience for it, to see what I see.

She said it was a bad connection as she didn’t
want me from the time I made my introduction
with my best language I pursued her current interest
from my best seeds I gave her my daffodils
when it wasn’t I, I wasn’t the jester she was seeking.

Injured by Need

when the days run faster, you fight
and search for a pattern, but you
you remember not to lean sideways
as you bend, you can’t remember
the last time she crossed your mine
nor can’t you remember her presence
what she looks like, or what she
sounds through the recorder
that is memory of a day
as she walks across your page.

Dressed Up in Time

maybe you should recognize|
my rest isn’t a pause, my count|
of one is really many, my heart|
maybe you should recognize|
my occurrence, my wave signature|
before telling me to stop beating|
breathing my dissent fire, blowing through|
the night, what it means to dream|
what it means to see|

Drone Bee

tired of waiting for you
Image by thewhitestdogalive via Flickr

Tired of being
Tired of caring
Tired of nothing
Tired of wanting
Tired of projecting
Tired of trying
Tired of processing
Tired of explaining
Tired of reaching
Tired of withdrawing
Tired of loving
Tired of hurting
Tired of crying
Tired of not crying
Tired of writing
Tired of exposing
Tired of seeking
Tired of blaming
Tired of accepting
Tired of regretting
Tired of giving
Tired of expecting
Tired of fearing
Tired of waiting
Tired of everthing

Clairvoyance

shutterdrag-7310
Image by kiwinky via Flickr

As you turn away skipping
away with my sensibilities

my potential, I’m left with nothing
but a long for a time when I didn’t desire

to feel a breath as much as yours
your laughter haunting the corridors  

the ghost mirrors the absence, I ware it like naked jewelry
naked jewelry of bones on display of my limbed soul.

I needed that what I gave to you
I struggle without it, my diadem

you accepted without knowing
how precious a self is to give away

not keeping something for me…
You didn’t want me anyway…

Already New

PhotonQ-Young solar System
Image by PhOtOnQuAnTiQuE via Flickr

What a night it was, when I realized
I have myself, and shouts of victory
sings, claps, praise a release that
doesn’t wait for you to recognize
validate my breath as it breathes
for the night’s fresh air, with it’s majesty
of stars, glory that is the moon, with
the coming sunrise, I kiss absurdity’s latitude.

Lover Sunset

On the Sofa; Mrs. Helleu
Image via Wikipedia

Lover sunset, please don’t be a love sofa
because a love sofa only tease the loving
that was meant to be used: completely sprawled
as a conduit of connectuals, I recline on a full set.

Fever To Touch

Listen HERE to a song I wrote on the steelpan for a very special woman I met recently. The song is called FEVER TO TOUCH and there’s a poem that goes with it as well that I wrote awhile back called Everyone Should Know This. I’m hoping to turn the poem into lyrics for the song.

As you can tell, this woman had a huge impact on my senses, enough so that I’m still grieving over the loss of not getting to know her in the way I envisioned. 

I’m still thankful to have shared those moments that were gifts of kindness, an awakening… I felt like I could love, and be loved again. Maybe that was the point of our encounter, who knows. But I’ll keep the joy I felt close at hand as I walk these streets of uncertainty.

History

Fantasy Masterpieces #10 (Aug. 1967)
Image via Wikipedia

I made a bed of marvelling
a spectator that risk nothing
as I live to work, since everyday
is routine, I plan events to escape
the monotony exhaling in pores of
last night’s adventure of nothingness
and then drown my sorrows in a note
a blind note bottled with the spirits of
the dead drunkards, I leave my last breath.

Art Exhibit and Broad Strokes

So, I put together a night of art with two amazing visual artists, Renee Valenti and Esther Hidalgo. It’s a mixed media exhibit with provocative post-modern paintings and avant-garde photography. We see through the eyes of these two women, as their work deals with the convergence of people, relationships, past and present.
 
Opening Night: April 1st
Time: 6:00 – 10:00 p.m.
Musical Guest: Libel
Where: Fort Useless, 36 Ditmars Street in Brooklyn, one block from the Myrtle Avenue/Broadway stop on the JMZ trains.
 
Esther Hidalgo likes to use antique and vintage processes to create contemporary works.  She received her B.F.A. in Photography from the Corcoran College of Art & Design.  Her photographs have been displayed throughout the East Coast and in private collections across the country. She lives and works in Washington, DC.
Artist statement: “You Were Here” is an on-going project documenting scenes of development and urban decay primarily throughout Washington DC. These compositions, taken between 2004 – Present, are meditations on urban life and the intersection between that which is known and forgotten. www.estherhidalgo.com.

Renee Valenti is currently working toward her B.F.A. at Pratt Institute and is looking forward to graduating in December 2011. Previously, she had been pursuing a career in acting, and has enjoyed the cross-over of performing to visual arts, but also seeing ways how they can influence each other. She lives and works in Brooklyn, NYC.
Artist statement: I have been working with recurring topics like relationships and sexuality, day to day human experiences and connections, or disconnect, with others. In some of these works the personal experience of life in the crowded urban environment, particularly New York, has definitely come into play. The squishiness and fluidity of oil paint on canvas, paired with classical techniques has been what I enjoy working with most; however I also explore other mediums such as paper and photography. www.reneevalenti.com

 

In other news, I will be on the radio, Washington Heights Free Radio (WHFR), this coming Wednesday, March 30 at 8:00 p.m.

I’ve been in a downloading craze lately, mostly Soca and Calypso, but there’s also some Dub, and Indie Music, maybe even metal. Lol, we’ll see on Wednesday.

In the meantime, you can listen to the interview with Mindy Abovitz, Editor-in-Chief, and founder of TOM TOM Magazine, a magazine about female drummers, HERE scroll down to listen.

Bringing you stories, live events, and much more, WHFR tries and remains independent of any corporate sponsorship.  So, if you like what WHFR is doing, you can donate by contacting us at info@whfr.org.  DIY forever baby!

Also, if you’re in a band or know someone who is, and would like to be on the show, please email me at roarplanet@gmail.com.

Can’t keep you Away in E flat

Romance Stories of True Love No 50 Harvey, 1958 SA
Image via Wikipedia

Can’t keep anything
Can’t keep you and your mind
Can’t keep your love, our love alive
Can’t keep the ghosts of unbelieving outside

Can’t keep you, as you’d want to be kept.

Vestige

Organ adapted for use in Häggström diagrams
Image via Wikipedia

And now, shoulders crouch
as if to say my rib cage was useless
as my heart no long lives there.
It is theirs, theirs to marvel as it skips
to beat faster as they appear through 
mirrors. I am still living as if it were present
but if you look inside my skeleton you’d see
you’d see that I’m now cold and crude
broken, broken without my heart
oh Lord I miss you, I miss you, oh Lord.

Boomerang: A Christian Want

They say that if you put stuff out there you get it back.
Well, I’m tired of waiting for loyalty, tired of waiting for compassion
I’m tired of waiting for life to exude itself in kindness, sweetness
independent loving. When can I expect this back? Is there an expiration date?
When can I expect my “goodwork” to happen? Today? Tomorrow?

When can I walk steady and not be on a tightrope?
When will the pain of the devil stop so I can feel again?
Feel my neighbors, my friends, when can hurt
be temporary and doesn’t add up to a wretchedness?

I’m tired of knowing you don’t exist, I’m so tired of waiting for you out there
when all of my fresh being is anointed with hurt and pretense.
How many more years do I have to go before I don’t care anymore?
How many more people do I have to meet before I stop giving myself wholeheartedly?
How much more time do I have left before I just collapse in defeat?

DoubleSpeak

Dust storm in NSW
Image by DabaYu via Flickr

In the mist of mistakes lies trimuph.
When optimism is all I have left to risk
giving way to hopes of a juniper night:
Holding you again. Wanting something
I can’t have whole. I struggle in pieces…

I started drinking my desires away around 4:00 p.m.
It didn’t help the crying, as my shoulders, drunken 
they weigh the hours and the minutes of this drought
silently anticipates seeing your golden eyes again
expectation wants nothing more than your kisses now.

Vulnerable to prays when I might be an atheist.
Prays for things out of my control, I meditate a howl
that is so quiet, but roars your name. Underneath bellows
relinquishing all the burdens of my travel through the fire.